From left: Fanuel John Masamaki’s comedy is impressed by the silent film star Charlie Chaplin. Hamada Shaqoura, a Palestinian meals influencer, cooks Egyptian-style shrimp fries. Arthur Marques performs soccer for a dwelling, however it’s soccer with a twist. Valerie Keter, wearing a conventional beaded collar from the Maasai folks in southern Kenya, discusses the historical past of the traditional tribe.
From left: @zerobrainer0, @hamadashoo, @arthurzinnv and@valerie_keter; screengrabs by NPR
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From left: @zerobrainer0, @hamadashoo, @arthurzinnv and@valerie_keter; screengrabs by NPR
Multiple billion customers go to TikTok each month, and since its launch in 2016, it is grown to turn out to be one of the crucial standard social media platforms. And controversial, too. India, for instance, banned the app in 2020, and Australia barred youngsters underneath 16 from utilizing it and different social media this month.
Yearly, NPR interviews TikTok creators from around the globe, exploring the tendencies, subcultures and tales that drive tradition and social change within the World South. This yr, we interviewed creators from Brazil, Gaza, Kenya and Tanzania. The 4 creators every have amassed tens of millions of views, however additionally they contributed to a a lot larger story: certainly one of hope, advocacy and connection.
A distinct approach to play with a soccer ball
Changing into an expert soccer participant was all the time Arthur Marques’ (@arthurzinnv) aim.
“In Brazil, being an expert soccer participant is everybody’s dream as a child,” Marques says by way of an interpreter.
The 20-year-old TikToker form of made that dream come true.
Sure, he performs soccer for a dwelling. Nevertheless it’s soccer with a twist.
It is known as altinha, Portuguese for “a little bit greater.” Gamers stand in a circle and hold a ball within the air for so long as doable utilizing their toes, knees, chins, hips, heads and even their butts — something however their palms. Marques’ report is 5 minutes.
Sounds … a little bit brief. Nevertheless it’s not. “That is lots of time,” Marques says. “It seems straightforward, however there are lots of dynamics at play. It is virtually like boxing nonstop for 5 minutes.”
Locals began taking part in soccer on Rio de Janeiro’s iconic Copacabana Seashore in 1927. However stray balls quickly clashed with sunbathers, and officers tightened guidelines. By the Nineteen Thirties, restrictions made it more and more troublesome to play the game on the seaside, and whereas enforcement waxed and waned over the many years, obstacles endured.
So native soccer lovers invented altinha within the Nineteen Sixties on Ipanema Seashore. It hasn’t all the time been welcome on Brazil’s seashores although and was even quickly banned in 2009.
As for Marques, his dream of turning into an expert soccer participant light when he realized he did not have the chops for the elite stage. So he turned to altinha. In 2021, he began working towards the game and commenced posting movies of himself on TikTok a yr later.
Whereas the sport is performed throughout the nation, its pulse throbs in Rio. To be nearer to the scene, Marques made journeys to the town from his hometown, São Gonçalo, about an hour away throughout the bay from Rio. Nonetheless in class and the son of two road distributors, he might barely afford the commute.
“My two siblings and I had some troublesome occasions rising up, however it was by no means that tough as a result of we had one another,” Marques remembers.
As his movies started to take off, Marques dedicated absolutely to social media. He says he would typically keep up till 4 a.m. to edit movies on his mother’s cellphone — which was newer and sooner than his cellphone — after which head to highschool two hours later.
Marques is now collaborating within the rising pattern of taking part in altinha on the road courts of Rio’s favelas — its lowest-income neighborhoods — as a substitute of on the seaside. Neymar — certainly one of Brazil’s most celebrated soccer gamers — even joined Marques for a spherical of altinha in an previous warehouse this July.
“I attempted to maintain it cool {and professional}, however I used to be so excited inside,” Marques says.
His subsequent cease is Africa’s greatest worldwide soccer event, the place he was invited to showcase the sport in Morocco. His aim is to assist usher the game into the Olympics sooner or later.
“I can unite folks from totally different locations and social courses after I play altinha,” Marques says. “It is a second for us to overlook about our variations.”
Forgotten corners of Africa’s historical past
Whereas driving by way of the bustling streets of Nairobi, Kenya, Valerie Keter (@valerie_keter) was intrigued by a billboard.
“It was promoting a German language faculty and written on it was, ‘Schule,'” Keter remembers. “In my thoughts, I am like, ‘Shule is definitely Swahili for varsity.’ So I begin considering, ‘OK, who borrowed from whom?'”
That query took Keter down a rabbit gap exploring the historical past of Swahili — essentially the most extensively spoken language in Kenya — and presenting her findings on TikTok.
“From there, I ended up discovering that really there are extra Swahili phrases that have been borrowed from different languages — not simply German,” Keter explains.
This epiphany is certainly one of many who led the 31-year-old to make movies on neglected corners of African historical past and tradition. She typically wears the normal beaded collars of the Maasai folks in southern Kenya as she tells her tales.
Her ardour for historical past and storytelling stems from the documentaries she watched along with her household throughout childhood. As she grew older, she realized how few documentaries chronicled African historical past.
“As much as right this moment, that lingers with me, and I feel it is pushed me to a degree the place I am seeing there is a have to characterize Africa,” she says. “Ensuring that everyone is conscious of what our historical past entails and the truth that there’s lots of wealthy historical past in Africa is necessary.”
Subsequent yr, she hopes to collect and share tales from elders — tales which have by no means made it into textbooks as a result of they’re handed down orally. Keter sees this work as a bridge between elements of the continent divided by tradition and language.
“If you happen to have a look at Francophone nations after which the Anglophone nations in Africa, it is like we’re not in one another’s areas. It is like everyone is simply on their very own,” Keter says. “Creating any such content material has enabled me to work together with different creators from throughout the continent.”
Giving hope to Gaza
At first look, Hamada Shaqoura’s (@hamadashoo) TikToks appear to be some other so-called “sizzle minimize” — fast, close-up cooking clips stitched along with amplified sounds of knives chopping by way of greens, liquids splashing into pans and meals hitting sizzling oil.
However his direct gaze, furrowed forehead and severe demeanor stand out, as does the rubble behind him.
“This facial features is derived from the tiredness we’ve got felt in the course of the warfare,” Shaqoura says by way of an interpreter.
His expression softens on the finish of his movies when he serves the meals to Palestinian youngsters in northern Gaza. “The scenario right here may be very exhausting, and thru this troublesome time, I wished to attempt to make one thing particular, particularly for these youngsters.”
Since 2024, the 34-year-old has been posting his cooking movies. It is a drastic change from his work earlier than the warfare, when he reviewed meals from Gaza’s eating places.
“Earlier than the warfare, my ambition was to turn out to be a meals blogger, journey the world, style totally different cuisines and expertise the world by way of meals tradition,” he says.
This yr was significantly difficult for the creator. In August, a panel of worldwide consultants on meals insecurity, backed by the United Nations, declared a famine within the area, and the struggling of malnourished youngsters made headlines. Concurrently, meals costs skyrocketed, pushing Shaqoura right into a three-month hiatus.
Whereas the famine designation has been lifted, starvation continues to grip elements of Gaza. His movies returned in October, they usually’ve taken on much more which means. Weeks after his return to social media, Shaqoura and his spouse welcomed their second little one.
“My son and daughter have been each born in the course of the warfare, so this made me need to assist youngsters much more as a result of all the youngsters in Gaza are my youngsters as effectively,” Shaqoura says. “I need these youngsters to really feel that there’s nonetheless hope — that they’ll nonetheless eat good meals and luxuriate in scrumptious issues.”
Shaqoura contends that his fame is a merciless paradox. If it weren’t for the warfare, he says his TikToks probably would not have obtained worldwide recognition. Nonetheless, regardless of the hardship of battle, he stays hopeful.
“I might sense that individuals in Gaza have been lacking this sense — the sensation of fine meals,” Shaqoura says. “I need to remind them what meals was like earlier than the warfare and what the environment was like earlier than the warfare. We’re making an attempt to convey again the issues we skilled earlier than the warfare. We are going to restore folks’s hopes. We are going to restore Gaza and present folks what life was like earlier than this warfare.”
A Tanzanian impressed by Charlie Chaplin
A one-off job cleansing a church in Tanzania cast Fanuel John Masamaki’s (@zerobrainer0) signature look.
“I used to be cleansing a church, and one of many objects we discovered was this hat,” Masamaki says by way of an interpreter. “Once I began carrying it within the first few movies, folks reacted to it positively, so I saved carrying it.”
The weathered hat, paying homage to a classic military-style peaked cap, is olive inexperienced and stylized with a skinny gold piping that traces the perimeter. Beneath that may be a darker layer wrapping across the base with a single metallic button on the facet. The brim itself is brief, shiny and black. Masamaki wears the outsized cap tilted again with a large grin — a playful distinction to its authoritarian design.
The 25-year-old now dons that peaked cap and a protracted overcoat in his movies, the place he performs soccer in a Charlie Chaplin-style pantomime — exaggerated, off-kilter actions that echo the English actor, minus the mustache and cane.
“I am really an enormous fan of Charlie Chaplin. I used to look at him quite a bit after I was youthful,” Masamaki says. “Like Charlie Chaplin, I do not communicate throughout my skits. I draw lots of inspiration from his work.”
And it looks as if Chaplin’s affect rubbed off on Masamaki. As a younger scholar, he says he often placed on comedy skits in his hometown.
Masamaki grew up in Tanzania’s Kilimanjaro area, certainly one of seven youngsters born to 2 farmers.
“Life was not straightforward. It is the form of life many African households expertise,” Masamaki remembers. “Life was troublesome rising up with dad and mom who did not make some huge cash.”
Regardless of a troublesome childhood, Masamaki clung to artwork. Storytelling grew to become his focus, and he dropped out of college in his last yr finding out mechanical engineering.
That very same yr, he began posting on TikTok, selecting the deal with “zerobrainer0” to mirror his slapstick-style of comedy. “It actually signifies that you are out of your thoughts.”
At a time when there’s been latest strife in Tanzania, Masamaki sees his movies as a possibility for Tanzanians to take their minds off the nation’s bitter divisions. And he now views his signature hat — which was as soon as worn by a stranger — as an emblem of unity.
“I like that my content material shouldn’t be political,” Masamaki says. “My work helps my followers who misplaced family members wipe their tears away. It is bringing again smiles, happiness and heat — all of that.”
Jacob Azar, Samuel Evans and Felipe Oliveira interpreted in the course of the interviews with Hamada Shaqoura, Fanuel John Masamaki and Arthur Marques, respectively. Michal Ruprecht is a Stanford World Well being Media Fellow.














