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Home Breaking News

Exploring fears for the future

August 27, 2025
in Breaking News
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Exploring fears for the future
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New Zealand actor and director Ben Ashby and Australian dancer, choreographer Nadiyah Akbar are bringing their Melbourne Fringe-winning present Working into the Solar to Wānaka. Ashby tells Rebecca Fox about younger individuals’s worry for the future and the significance of youth theatre.

Struggling to interrupt into the Melbourne theatre scene, Ben Ashby and Nadiyah Akbar determined the one means ahead was to make their very own present.

Taking inspiration from an earlier manufacturing Ashby had developed and directed with Lengthy Cloud Youth Theatre Firm in Wellington about younger individuals’s considerations for the long run which featured music, dance and appearing, he created a completely new present.

“It was very summary in its first model with the youth firm, after which I rewrote it to a bit extra of a story for knowledgeable firm.”

Retaining the three parts of appearing, dance and music, Ashby and Akbar, co-directors of a2 Firm, created Working into the Solar about younger individuals trying to the long run and attempting to be hopeful a few vary of points from local weather change to international warfare crimes and political unrest.

“I sort of began asking individuals concerning the future and I simply realised the overwhelming response was, “I don’t wish to take into consideration that”, or “that’s terrifying”, from younger individuals. I believed, really, that’s actually unhappy and fairly scary.”

Ashby, who’s from Christchurch, created three characters, all younger individuals graduating from college. Ash and Mary uncover they’re unexpectedly pregnant, whereas the opposite character will get dumped.

“It’s about testing their private struggles and quick wants as mates and as a pair towards this backdrop of a flash flood that breaks out of their hometown, how they really feel morally about the true wars which can be occurring abroad and what they will do subsequent in an effort to do one thing that feels significant on the planet.”

Whereas it sounds very weighty, Ashby nonetheless needed it to be a “good night time out” as he felt individuals wish to see reveals that make them really feel good as a result of there’s a lot “grim stuff” occurring on the planet.

The reply was dancing and music. Within the earlier model of the present, he paired the youth actors with a bunch of classical musicians who had simply graduated from the New Zealand Faculty of Music and attempting to work out the place the long run lay for them.

“I discovered that pairing them up and having this stunning craft of the music matched with all the large concepts and exploding feelings of those younger actors made this stunning pairing that basically complemented one another nicely. And we’ve made some actually thrilling stuff.”

So for the brand new work, he referred to as in musician-friends to type a three-piece reside jazz band.

“Lots of the emotion and the journey of the present is portrayed via music and motion. And that, I believe, makes it really feel much more hopeful and much more cathartic than it will possibly via simply speaking about these topics such as you do at a grim feast.”

Ashby knew from the sooner present, that dancing would elevate any future work, and as Akbar, who’s Australian, is a dancer, choreographer and New Zealand Faculty of Dance graduate, that they had entry to some good dancers.

“We began making some stuff with them and thought that is actually working.”

They complement that with projected movies created by their designer Asha Barr.

“So there’s the video, the music, the textual content, and the motion, and these 4 parts which can be sort of weaving out and in.”

It’s positively a “extra is extra” strategy, he says.

“I believe that in some methods, they do overwhelm one another. And that’s the impact that we’re going for, the place that’s the way it feels to be alive on the planet in the mean time. It’s sort of not possible to remain targeted on one factor.”

If that doesn’t sound difficult sufficient, Ashby determined he missed treading the boards, so performs on this present in addition to directing. He has been directing since simply after graduating from drama faculty.

“Then I out of the blue discovered myself actually good at this and actually having fun with the ability set. After which I realised I hadn’t been on stage for a very long time. So when this present happened, I went, oh yeah, I wish to get again on stage.”

Nonetheless, he found that he misplaced a variety of management by doing the twin position as he couldn’t see the entire image and maintain focus the identical. So Akbar stepped in, together with Barr, taking turns at working the present when the others had been on stage.

“It’s actually, actually a collaborative course of. That’s been considered one of its strengths as nicely.”

Ashby has beloved being on stage in entrance of an viewers once more and feeling the power within the room.

“It nonetheless feels extra magical to me since Covid, you are feeling all of that power within the room and the give and the take of it and everybody being current. It feels actually particular.”

He admits they’ve taken a couple of inventive dangers with the present and hope individuals go together with them on an emotional degree quite than a logical one.

“We had a couple of individuals say, I’m not fairly certain I understood all the things that went on, however I beloved all of it. That was a few of my favorite suggestions.”

They debuted the present on the Melbourne Fringe Pageant, an outlier in a means, as all of the performers of their present had studied in New Zealand and met there. Ashby flew a few of the solid over from New Zealand to carry out.

“We actually had a dream run. We simply had every week the place our viewers was actually quiet on the primary night time after which constructed and constructed over the season.”

The present received greatest rising firm and greatest yheatre present, with reviewers calling it “exhausting however exhilarating” and a “visceral expertise”.

“It was actually gratifying and superb, so we thought we’d higher take this residence.”

The response was additionally a break via of kinds for the pair who had discovered it exhausting to interrupt into the Melbourne theatre group since they moved there a yr in the past in search of higher job alternatives and for Akbar to be nearer to household.

“Folks actually don’t care about your New Zealand CV in Australia. They actually don’t. Like, a bunch of names which can be in New Zealand spectacular names and locations and other people to have labored with. And so they’re actually not trying to us in the identical means that we glance to them generally.”

So to then put the present on and have individuals go “oh, you guys are actually good” was a bit irritating for Ashby who had been attempting to inform them that for a yr.

Nevertheless it means they will convey the present again to New Zealand and hit the street with reveals in Wānaka, Christchurch, Auckland and Wellington.

“It’s sort of a loopy factor. We’ve bought 10 individuals on the street on this tour — for an unbiased firm it’s sort of an insane choice financially. However creatively, we’re all actually enthusiastic about it and actually . We’ve had a variety of assist to attempt to get it off its toes.”

Ashby, who credit fellow Christchurch Boys’ Excessive graduate and comic Chris Parker for igniting his theatre ardour at a faculty with no drama programme, has discovered himself discovering any alternative to come back again to New Zealand whether or not it’s to show theatre workshops, direct or carry out.

He has a ardour for youth theatre having spent a yr touring New Zealand with the New Zealand Playhouse doing theatre in colleges earlier than a yr at college after which going to Toi Whakaari.

“We did a main faculty present referred to as Hashtag the fairest of all of them, which was about Snow White and web security. I used to be the troll who was the web troll.”

Alongside together with his personal expertise rising up, it helped reinforce to him the necessity for youth theatre and he has stayed concerned. The final time he was in Dunedin was to direct on the New Zealand Nationwide Shakespeare in Faculties manufacturing.

“I believe that it provides a spot for younger individuals to search out their voice and to search out their tribe. I simply assume that there’s a lot expertise throughout New Zealand and colleges and it’s simply getting individuals to assume, getting younger individuals to assume creatively concerning the future and about learn how to resolve issues, even when they don’t go into the humanities, I believe it’s a extremely essential ability set to study.

“However the inventive downside fixing and with the ability to work in a crew, I believe are the 2 sort of unsung actual winners out of youth theatre making.”

Ashby could be very proud Working into the Solar has come out of a youth theatre background. “And I believe that that’s a testomony to the power of what that type can do.”

He isn’t resting on his laurels although with one other present within the works referred to as Movement Illness, that includes himself and a saxophone participant, who occurs to be his cousin. They hope to carry out that on the Melbourne Fringe after which convey it to New Zealand’s fringe festivals.

“It’s a little bit of a household affair. It’s concerning the finish of the universe. We thought occupied with the long run isn’t sufficient, we’d higher consider the universe as nicely.”

TO SEE: 

Working into the Solar: Wānaka, Hāwea Flat Corridor, September 7, 5pm.



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